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Hey, there!

In everything we do as storytellers and performers, it seems the same principles apply whether it’s on-camera or on-mic.

And if you read carefully, almost every article in magazines like Backstage, that point out best practices in stage or on-camera acting, all have similar applications to voice over talent.

A recent article by Anthony Meindl is a great example: it’s about what to pay attention to when auditioning. And although the words point to what to do when auditioning on stage or on-camera, here’s how you can use what Anthony says when you find yourself in front of a mic for a VO audition. Continue Reading →

Hey, there!

Digital audio files are described, as most things digital, with a lot of numbers.

And the numbers you see in the description of an MP3 file can be confusing.

So what does 128k (or 128 kBPS) actually mean? Continue Reading →

Hey, there!

I’ve told the story often about how one bit of training I got made a huge difference in my acting career.

(And although what I’m about to share with you has the words “screen acting” in it, it also applies perfectly to VO.)

And that one bit of training, the Secrets of Screen Acting podcast, just got a fair bit more interesting and helpful.

Why?

Because 22 previously lost episodes were recently found. And you can have them at no extra charge. Continue Reading →

Hey, there!

My friend Kristine Oller recently reminded me of something I have been meaning to share with you.

I often tell my VO students and clients that my job is to defend the success of their careers.

But what exactly constitutes success? Continue Reading →

Hey, there!

My lovely remote client, Denise Fleener, wrote:

Along the lines of headphones…can you recommend a few choices of headphone for the home studio VO artist?
Thanks, as always, for all the info!
Denise

Absolutely, including one which I’ve been using for over 2 decades, and the other I use more and more frequently. Continue Reading →

Hey there!

This one’s going to be long-ish, with a lot of warnings and bolded and capital letters.

I have some trepidation in even writing this article, because the subject matter, noise reduction, is rife with controversial aspects.

Why?

You can completely destroy a high-quality (but, perhaps a bit noisy) voice work session by applying noise reduction in a heavy-handed or incorrect way.

Having said that, noise reduction can be an effective final option for making your audio sound amazingly pristine, and is especially useful in audiobook work that you might be producing for your ACX projects. Here’s how. Continue Reading →