Hey there!
I often get email asking me for advice on how to delete all the breaths from VO work.
I understand how it’s possible that someone would think that’s necessary, but I’m on a mission to debunk that myth.
Your natural breathing, and the listener hearing you breathe, is essential. And I urge you to attend to more pressing matters: your storytelling.
(Click/tap ↑↑↑↑↑↑ that red YouTube button to subscribe to my channel. You’ll get notified when I release new videos.)
Hope this helps!
David
All Episodes
Five Ways To Have An Excellent Coffee Date With Me
Five Ways To Have A Crappy Coffee Date With Me
Taking Advantage Of The Wisdom Of The Tribe
How To Be A World Class Complainer
The False Nobility Of The Struggle
Watch Out – The Rules Are Going To Change
Coaching vs Consulting vs Facilitating
The Perils of Live Performance And Why Jeremy Kappell Should Not Have Been Fired
Let’s Welcome To The Stage…Failure!
Don’t Confuse Price With Value
The Two Things Most Talent Try to Accomplish Way Too Soon
10,000 Hours To Become Good At Something? Not Really.
The Trick Charlie Munger Uses To Make Better Decisions
Everyone’s A Customer, Not Just Your Customers
“What do you mean, you’re a ‘process guy’?”
Pay Attention To Your Storytelling, Not Removing Your Breaths
How To Conquer FOMO (Fear Of Missing Out)
The Problem In Every Commercial Script
The Job In Every Commercial Script
The Secret In Every Commercial Script
Voice Over Is REALLY Hard. Until It Isn’t.
Helping Make Resolutions Stick
ACX Jobs: They’re ALL SAG-AFTRA-Friendly
Non-Union? You Can Still Open An AFTRA H&R Account. What?
Who Says You Need To “Feel Like It?”
Your Day Job Might Just Be Worth Keeping For A Bit Longer
Want To Learn Something Really Well? Teach It To Others
Don’t Confuse What Works With What You Like
The Lost Keys And The Microphone In My Elevator
My Insane Backup System Plus Two Helpful Tips
What Open Loops Are And Why They Work So Well
Two More Things For Which You Can Use Open Loops
Three Things Not To Say Or Do…When Trying To Learn Something New
Front Burner and Back Burner Project Management
How To Properly List The Accents and Dialects You Perform
My SAG-AFTRA Presentation On VO Demos (Part 1)
My SAG-AFTRA Presentation On VO Demos (Part 2)
A Simple, One-Word Decision-Making Question To Ask Yourself
How You Can Use The MVP Model As A Performer
The Robocall Equivalent Of Unsubscribe
Making Your Links Irresistible
HTTPS Is Not Just For Banks – It’s For You
The Threat That Made Me Create a New Page For LAME
The Resource You Must Guard Most Carefully
How New Media Is Using The Oldest Ad Model Ever
Killing Customers With Kindness
I Found Out What She Was Podcasting About
How I Answered Voices.com’s Inquiry
Turning Mountains Into Molehills
Motivation: Your Three Big Needs In A Cool Little Package
Go Ahead. Multitask. But Try It Like This.
The Prodigy Game Doesn’t Deserve This Treatment
What Fair Markets Are, And Why Voices.com Isn’t One
Trevor’s Three A’s From Apple On Killing Customers With Kindness
Getting Ready vs. Getting Started
You’ll Never Believe Who Got Rejected By Harvard
There Is No Failure, Only Feedback
Who Is Your Most Dangerous Adversary?
73 Videos In, My First Hater Appears
If You’re The Smartest Person In The Room, Do This ASAP
Your Glasses And Crucial Laptop Positioning Info
One More Insanely Over-engineered Piece Of Gear: My UPS
The Crazy Backward Way IKEA Prices Their Stuff
Voices.com Complained To YouTube That I Violated Their Privacy
For Your Health: Not Perfect. Just Better.
Mr. Wonderful Is Actually More Wonderful Than I Thought
Let’s Finally Close The Digital Literacy Gender Gap
The Guaranteed Way To Completely Avoid Criticism
The Two Things People Judge About You Within Seconds
Are You Committed? Or Just…Interested?
Audible Retail Samples: Why They Suck And Why It Doesn’t Really Matter
How To Voice Copy That’s Set In Italics
Dyslexia, And The Palindromic Poem. The Wha?
Increase Your Chances Of Being Seen And Heard On Facebook
Jamie Has Some Thoughts About Fiverr
Is Simply Discouraging Distracted Driving Enough?
“Young People Are Just Smarter.”
The Real Purpose Of The “Can You Hear Me?” Phone Scam
An AMA Preview: The Word “Ethnic” – A Slur, Or An Essential Adjective?
10 Rules of Profitable Self Discipline from Napoleon Hill
AMA (Ask Me Anything): Here Are The Answers (Part 1)
AMA (Ask Me Anything): Here Are The Answers (Part 2)
AMA (Ask Me Anything): Here Are The Answers (Part 3)
AMA (Ask Me Anything): Here Are The Answers (Part 4)
AMA Answers Part 5 Plus A Medical Warning
Last AMA Answers (#6): Gear, Services and Success
A 7-Word Reminder: “Don’t correct people when it matters little.”
Do You Have A Plan? And Is It The Right One?
What’s Your Next Big Move? Are You Ready?
Build Your Future On Your Own Platform, Not Someone Else’s
I’m Leaving Facebook: Why Groups and FB Live No Longer Spark Joy
Time To Accept That I’ve Failed At Something – Happily
Crowdfunding Without The Internet: Pulitzer And The Statue Of Liberty
The Amazing Power Of Recognition And Badging
Might We Have A Possible Cause For Alzheimer’s?
Why Podcasting And Radio Are Out Of Whack
Value Enthusiasm, But Value Persistence More
Ten Ways To Make Money With Podcasts Besides Ads
One Quick Question To Find Out How Important Something Actually Is
The Workflow For Producing These Videos (So Far) Part 1
Why Not Wade? And…Why Not You?
Audiobook Narrators: How Paymasters Work, And The One I Recommend
Why Gen Z And Millennials’ Love For Audiobooks Is Crucial
American Idol: It’s All About Story, Not Just Singing
Less Beating Yourself Up, More Talking Yourself Up
Resist Oversharing. Instead, Start A Dialogue.
Vocal Care: It’s All About What Works For You
3 Biases You Should Be Aware Of
3 More Biases You Should Also Be Aware Of
Wow. People Really Grokked Biases. Let’s Tackle Fallacies.
Three More Fallacies You Need To Watch For
Two Last Big Creativity-Crippling Fallacies
A New Lead Source For Performers: Voice Assistants And Smart Speakers
A Great Way To Handle Trolls and Haters
Quantity Does Not Usually Equal Quality
Is Facebook Truly A Monopoly? No More Than Microsoft Was.
Fear Of The Unknown, Or The Day Before My Surgery
A Strange Aspect To Performing That Should Be Cause For Protest, But Isn’t
Want To Grow? Don’t Go It Alone.
How Am I Doing? I’m Gobsmacked. That’s How Am I Doing.
Why I Give My Agents 10% Of Everything
Not Just Explainer Videos, But Video That Explain Things Spectacularly
Mental Floss To The Rescue: Skills You Can Pick Up On YouTube
What’s Better Than Willpower? Grit.
Regarding Apple’s App Store: Be Careful What You Wish For, Pepper
Of COURSE You Wonder What Porter’s Five Forces Are. Who Doesn’t?
Don’t Waste Your Time: Talk Shows Aren’t Meant To Be Fair
Sooner Or Later, I’m Really Going To Tick You Off
Just Because You Can Do Something Doesn’t Mean You Should
Wait, What? Audacity Records In The Background?!
Enjoy Your First Booking. Pay Close Attention To The Next Three.
Pattern Interruption And The Musicality Of Voice Over
Do You Still Have A Landline? Is It POTS? Wait, What’s POTS?
Increase Your VO Accuracy, And You’ll Increase Your VO Profits
Age Range Isn’t Really A Valid Metric For VO
How To Stop Jealousy From Killing Your Progress
Even The Bible (And Game Of Thrones) Has One-Star Reviews
How Much Is Enough To Make Per Hour?
With Royalty Share Plus, ACX Makes Hybrid Stipends Official
Wait, Vices Can Be Good For Your Health?
What A Lovely Thing To Discover: Praise From CourVO
I Figured Out What I Provide: The Onboarding Performers Don’t Get
You Don’t Need Permission To Care Or Contribute
It’s Not Just You. It’s The Superstars, Too.
Do You Sometimes Think Irrationally? Maybe. Here’s How To Stop It.
The Struggle Of Announcer-y Versus Non-Announcer-y Voice Over
How My VAs Support Me And My Team
The Often “Most Difficult” Concept I Teach
Please Unsubscribe From This List. But Don’t Do This One Destructive, Lazy Thing.
Don’t Mistake The Joy Of Knowing For The Joy Of Doing
Why Giving Yourself Some Simple Homework Can Be Life-Changing
One Weird Trick I Do That Makes My Note-Taking Superhuman
The Worst Thing About The Biggest Money-Making Entertainment Category
What Can We Grab From A Schedule This Strict?
Get Better At Executing Today’s Plan By Starting Last Night
How To Create Useful, Organized Audition File Names
Where To Find Related PDFs For Audiobooks on Audible
I’m Halfway Finished. What Have You Valued Most? What Can I Do Better?
Our Digital Attention Span Is Incredibly Brief
“Serves You Right!” She Actually Has No Idea How Right.
Create A Safe Environment For Self-Improvement
Why I Use One Single Channel For Crucial Communication
The Even Cheaper AT-2020 USB Plus Microphone?
Fred Willard (and Billy West) On Quickly Creating Authentic VO Characters
Leo Makes Your Searching Spectacular
On Asking For Things Performers Can’t Do
How To Battle The Urge of “Efficiency”
One More Best-Of-Breed Way To Brilliantly Complain
Changing Audacity’s Sampling Rate To 48,000 Hz
10 Words Of Encouragement When You’re Stuck
Seek/Give Mentorship That’s Appropriate To The Journey
Two Cases Where You Might Not Want To Simply “Follow Your Passion”
Having Fun With Headphone Volume
Please Stop Rushing To Perform
Something To Consider: Everyone’s Internal Menu
One Crazy Key To Creativity: Pure, Unadulterated Boredom
The Most Commonly Consumed Media Is…!
What’s Dangerous For Us To Care About
Please, Clever Copywriters…Stop Using This Term
Wait, Wait…What? They Actually Listened?!
Why You Should Take The Same Classes Twice
How Your Character’s Menu Informs Your Performance Choices
What Shouldn’t Be Your Metric For VO Success
Someone Awesome Who’s Also Rising To A 365-Day Challenge
Union Or Not, Start With Union Rates
O. M. G. Look What Matt Zurbo Did!
So Where Will That Huge Facebook Fine End Up?
Avoid That One Obvious “That Worked” Sound We Make
Why Union Members Can Audition For Non-Union Work
200 Auditions. 1 Booking. A Ghost. Really?
I Can’t Do One Thing I’m Asked To Do Every Single Day
One Of Your Secret Weapons: Agility
Do Networking Events Make You Anxious? Let’s Fix That.
Project X Is Just About Ready. I’m A Bit Giddy.
The Difference Between Mansplaining and Advice?
Too Late, Melissa. You Already Are.
Help Me Solve A Lovely Mystery!
Speeding Up The Playback On The Audible App
Why Those Other Casting Sites Usually Aren’t Worth It
Raw YouTube Captioning
hey it’s David H Lawrence the 17th and
today I want to talk to you about
another email that I got that’s actually
indicative of a lot of emails that I get
a client called me she’s just starting
off her work on voice over in audiobooks
and she’s like which deep breath er
should I get which plug-in should I get
that will remove all of my breaths from
my audiobooks and I wrote her back and I
said why do you think you have to remove
all your breaths from your audiobooks
and she said well I I thought you did I
understand and there’s a couple of
mentions of it on a cxas website about
taking out breaths but I want to
disabuse you of that notion if you’re
just starting off you may have this urge
to sanitize your work to get rid of
breaths and little tiny foibles
certainly with audiobooks you want to be
precise but when you’re dealing with you
know commercials or you’re dealing with
animation or you’re dealing with things
that are not as word-for-word perfect or
as precise as audiobooks or you know
eLearning etc where you have a little
bit of colloquial work to it you don’t
want to be you know making it overly
formal and with audiobooks you also
don’t want to be removing breaths now
there’s a school of thought that says
you have to remove but nobody ever hears
breasts and the truth of the matter is
that that’s not the case and I’d like to
share with you an example of that and it
happens to be one very close to home
let’s take a look at the blog of find
away voices which is one of the one of
the places that I do work for so this is
a blog post by the casting director the
lead casting director at find away
voices and the title is autumn 2018 our
casting directors favorite audiobook
productions and the nice thing is kind
of talks about you know she wants to
share a few of her favorites and the
very first one she wants to share is one
by me leverage learning by Danny any
friend of mine
a book that’s very much an indictment of
the current secondary and post-secondary
education system and she says down here
why I loved it
she says David H Lawrence’s performance
was incredibly engaging his deep calming
voice tone excuse me in equal measure
draws the readers in blah blah blah and
it’s great but I’d like you to listen to
a little bit of it and tell me what you
hear the Stanford 2025 project of
reimagining the future of Education for
example predicts that the current four
years during the ages from eighteen to
twenty-two will be replaced by six years
spread over a lifetime this transition
so I count five breaths
already and I’m hoping that as you’re
listening to it you’re drawn into the
story and you’re not thinking about the
breaths okay so there’s a lot of boys a
lot of breaths in there don’t you think
and I’m doing okay I’m pretty far along
in my career and I’ve got some success
under my belt and I am not worried one
bit about removing breaths now there may
be people who watch this video that are
narrator’s of audiobooks that are just
horrified by the fact that I leave
breaths in I didn’t take one breath out
not one there may have been a point
where I’ve edited one piece to another
piece and I edited off the breath of the
last part and onto the breath of the
first part but I never ever took a
breath out specifically just to take a
breath out and I certainly would never
deep breath my work taking all the
breaths out what happens is people
notice it as you’re reading to them as
you’re narrating and they start to get
nervous because they wonder when you’re
going to breathe it’s Syria I don’t know
what to say about this other than I hear
it all the time and I think that there
may be this situation going on where
you’ve heard rumors that you have to be
absolutely perfect and precise in your
work now there’s something to be said
for being good at what you’re doing and
being professional
and in some cases perfect and precise in
another cases a little bit more
colloquial if the line is I don’t know
and the character and the story calls
for it there’s no reason why you can’t
say instead of I don’t know you could
say I don’t know or you could say I
don’t know or you could say I don’t know
all of them are versions of I don’t know
but they’re different and some of them
have breaths involved some of them have
slides into certain sounds my point here
is don’t worry about the breaths worry
about the story nobody is going to
notice and people are going to actually
be relieved if they hear you breathing
now if you’ve got some sort of
congestion going on or you’ve got asthma
or you’ve got some sort of over-the-top
breathing that’s one thing but don’t
make the mistake of hearing your breaths
and becoming your own worst enemy
thinking oh those breaths are horrifying
they’re absolutely horrified they’re not
they’re not I’ve been breathing the
whole time I’ve been talking to you have
you been worried that I haven’t deep
breath to my work no so don’t worry
about the breaths worried about the
story okay terrific so I’d like to know
what you think have you gone to great
lengths to take all the breaths out of
things what does that left you with or
are you worried that maybe you should be
that you need a plug-in or something let
me know in the comments below what you
think of what I’ve just said here and in
the meantime if you want to see the
latest videos that I’ve done you can try
the one there in the upper left hand
corner of your screen and if you want to
subscribe to this channel to find out
when the the next video is going to be
released you can go ahead and click on
my head or find the subscribe button
somewhere on the page happy to help you
out there i’m david h Lawrence the 17th
thank you so much for watching and I’ll
talk to you tomorrow
I take my breaths out between takes for commercial auditions when I got back and string it all together. Lately almost everyone has been asking for two takes. How many seconds should be in between takes and after your slate/intro before you begin? I’d love your opinion.
In both cases, I recommend a beat – 2-3 seconds. Just enough to make sure there’s a moment between elements.
This is so helpful! I definitely have been self concious about breaths in the past. Deleting all breaths just makes the editing process more tedious.
Always a joy to learn from you. I am a leave breaths in type of narrator, but which breaths and what kind of breaths are determined by the work. On my textbook narration, I listen for loud breaths in editing and remove them, but leave in the quieter ones. In Audiobooks, my dialogue breaths are louder than the narration part, I’ve noticed, but I think that’s due to practice. People breathe, true fact. I once read a review in another person’s work that asked if they were a robot because they never breathed thru the work. There ya have it.
Thank you for all you do!
I couldn’t agree more! Especially in audiobooks, when you are voicing something as a particular character, you will sound more human and believable..
Thank you once again, for being humble and generous enough to help others achieve what seems to come so natural to you! I was always told from someone very wise; the more you give, the more comes back to you.
What a relief! Thanks so much for sharing, David.
Thanks, David. I wish everyone who is interested in narrating would watch this video. I hear so much talk about this issue. What encouraged me about not trying to get rid of breaths or even about being a perfectionist about editing is listening to some audiobooks narrated by big names and published by big publishers. I hear mistakes from them, and lots of breathing. Barbara Rosenblat breathes very distinctly in her audiobooks (one of my favorite narrators!), so that really encouraged me too.
Dear David, Thank you for this gem. ” It’s the story that counts. Breathe and be human.” I had forgotten, about being Human” I listen everyday , and I am so grateful that you care enough about us to share your knowledge.
Hi David. “And besides, ‘no breaths’ is not the way people talk.” This was very helpful. Thank you.
Love it! Reinforces what I’ve been doing all along. With some (not all) commercial applications I clip breathes (actually in Audacity I select them and drop the volume)…but not in audiobooks. The story is the thing!!
Ditto!
I love this! I was more in the camp for taking out breaths, as well as figuring out when to breath, both from some very brief training I had prior to VO2GoGo. Your approach sounds much more natural. Focus on the storytelling and let the breath happen naturally. I love the simple and practical method of teaching in VO2GoGo.
This would make editing so much easier! I worry a lot about breaths, I think my breathing is a little heavier and louder than most people’s. I have been taught by other vo teachers that breaths in audiobooks are ok because the characters might take breaths for some reason (been running, gasping, etc.) but that commercials and other short forms never have breaths!?!? I’ve been told that clients want very clean (breathless) voice tracks that do not interfere with effects and music.
Almost everybody thinks their breathing is louder and heavier than others. And instead of concentrating on telling you to watch and get rid of the breaths, those people should’ve been telling you to concentrate on the story. There’s no requirement that breaths be taken out of commercial vocal tracks, or any others. They may be shortened by removing the breaths for time, but even that is done by an engineer, not you.
Thanks David…and so far working on my first audio book I have only removed breaths when I have had to edit in pick-ups!
I am Spanish narrator and Publisher. I am making a test editing the breaths and some other with the breath. Results? The same thing. For that less editing work for me.
thank you for this great video